DSLR film Making for Beginners Course free download
What is Film and Cinematography ?
Dslr film Making for Beginners Course free download ; what is cinematography we love cinema no matter how much the formats audiences and distribution may have changed we’ve been telling stories in motion ever since the Lumiere brothers first brought us this gift and since that inception great thinkers have attempted to explain our connection with it they have said that movies are dreams but there are windows in two worlds and lives that are not our own but they allow us to sculpt in time but as poetic as these descriptions are they don’t quite capture the specificity of the art form in our ability to manipulate it for if this is about the art of visual storytelling than the heart of cinema is cinematography now cinematography is not only about how we capture the action of the scene it is how we show that action to the audience it just means that cinematography is all about communicating with the viewer take earlier but because cinematography is often so beautiful and so emotional it makes us assume that the murky process of filming movies must be built on some murky instinct but instead like all disciplines cinematography is built on principles of concrete understanding because cinema is a language what it sounds so simple but it’s like zooming in on the atomic level you get to see how it really works on people think about it in terms of a language analogy words have meanings right sometimes a few of them but they have clear definitions we have verbs now in sentence structure these rules are critical to our use of language but also the way we build on them we’ll follow them invert them and use them ironically the key of understanding is that rules are at the heart of how we speak to each other and our understanding of the cinematography works the exact same way now you may have all these things you want to do and these cool shot ideas and you want to try and mimic or invent but there are still the basics of cinematic language that must be reckoned with we must zero in on the specific words and meanings embrace the glossary of high angles low angles wide lenses depth of field color palate the more we understand the meaning of these words the better we understand the language of cinema like language you must learn how to speak say you were filming a scene and wanted to show that someone was really scared the first tools cinematic language you would reach for is the high angle the subject looks down on the victim cowering below showing the person in a place of being threatened you could say oh come on it’s just showing a person scared and that’s why you think that but the language of cinema doesn’t more than them it emphasizes it’s not just about the information aka what’s happening on screen it’s the way that information is being shown the way it evokes emotion that makes it more scary the way it goes right past the connection of our brains and dyes into our nervous system and it’s able to do this because it understands perspective to it imagine if you pursued the opposite tack say we wanted to no longer be with the monster looking down on the scared human and instead wanted to emphasize with her feeling in that case we would switch to a lowing with her looking up at the monster our perspective would be her perspective the monster would tower over us with menace and violence and make us feel the same way she does the great thing is we instinctively understand this these are the kind of things that happen in movies all the time just with slider and more subtle emphasis you think of that famous scene The Graduate where Dustin Hoffman is being guided around at the party by his parents they take up the sides of the frame dominating over him as he shrinks into the lower center it’s the same exact principle as the overt horror movie shots we talked about before just used him much more subtle context yes I see now cinematography is obviously not a series of mechanical static angles cinema is alive it moves and just like with angles the way the camera moves tells us something to the smoothness of the Steadicam or tracking shot and stills us with confidence ease and an omnipresent godlike ability to go through action with clarity and impunity a docu style organic movement makes us feel uneasy like we were witnessing the real world Dutch angles make us feel like the world is off kilter eschewed and we can use any number of techniques to go beyond the layers of surface and pier in that the people who lay under them to infer all the world before us these tactics reveal the heart of cinematography where you put the camera doesn’t just allow you to tell the story it tells you what to think and feel about the story you are watching we said it before but cinema is effectively the movie gods view and sometimes it can seem like this movie God is actively investigating people sometimes this movie God is trying to show us something about these people they don’t even want to show themselves because the god of a movie universe is the storytellers behind the camp therefore it is up to you to decide what you wish to communicate to emphasize to make us feel something you may think that you want your action heroes to be unstoppable cool badasses but doing so can easily lose the dramatic effect of a fallible hero in danger making the audience feel that way too either way it’s all about what you want to communicate to your audience cinema is a language.
